High-speed proxies, made quickly and easily. It supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. We're shipping EditReady Pro 22.4 today with support for Phantom CineRAW. The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. We've also added RED anamorphic support, improved the stability and speed of ARRIRAW playback and transcodes, and added 100p to the retiming tool. If you get footage from a DSLR or mirrorless stills cam that doesn't write timecode, you can now fake a time of day timecode track by using the file’s creation date. To this end, we focused our last release of the year on quality-of-life improvements.ĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata. This is why we've decided to make three versions of EditReady, each tailor-made for different needs.ĮditReady will continue to be the world’s fastest, easiest-to-use transcoder for video pros. We want to be able to focus on both ease of use, speed, and help our pro users with complex workflow needs. Adding those features to EditReady would only add complexity and cost for those not needing it. Many of those upcoming features however, are for the 20%. Per the Hedge philosophy, features should always cater to 80% of its user base. As we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since 🙏 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata.As the year ends, we're excited to ship our fourth major update to EditReady. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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